By Blessing Vava
September, 2, 2015 was a
historic day. I joined hundreds of Zimbabwe music legend Thomas Mapfumo’s fans
at OR Tambo International Airport, where the icon was due to touch down from
his Oregon, USA base.
After moments of anticipating,
he finally emerged on the arrivals section. With his guitar hung to his
shoulders, the legend, with a smile on his face, walked towards the cheering
crowd.
In minutes he was mobbed and
cameras were flashing all over as the many fans jostled to get a rare photo
opportunity with Zimbabwe’s long-time music star. In the midst of the
excitement, one airport security staffer, a South African, made a remark to me
''who is this guy? He must be great.”
With two concerts lined up for
him in South Africa, Mukanya looked jubilant and ready as he interacted with
fans and journalists. As we tried to maintain some order to give journalists an
opportunity to ask questions, he asked for the Zimbabwean national flag from
one of the fans, before he wrapped around his neck like a scarf and the
interviews began.
He responded to all the questions,
but paused for a few seconds after one journalist asked him on when he is
returning to Zimbabwe. He continued, and told the journalist that he misses
Zimbabwe and hopes one day he will be heading there to entertain his legion of
fans.
Thomas left Zimbabwe in 2004.
For the next two days we kept
on interacting, especially during the rehearsals, mostly talking about music, his
views on the political situation in Zimbabwe.
This was the man whose prophetic
compositions could be interpreted with narratives predicting the future
of Zimbabwe. The raspy, staccato, smoothly deep voice of Mapfumo refuses to be
bowed, to be bought and remains pointed against all forms of oppression. It is
as if the music legend himself known as ‘Mukanya’ or “Gandanga’ (freedom
fighter) hears from the ‘Gods’ themselves and delivers the message unmediated,
raw and definitely upsets the status quo.
Mapfumo's
yesteryear compositions are still relevant even today, perhaps he had seen it
coming? I asked him specifically about some particular tracks namely ''maiti
kurima inyore'' (you thought farming was easy-Album Hondo 1991), todya marara
(we are eating crumbs-Album Chimurenga Varieties 1994), nyika yaita mamvemve
(the country is now in rags), ''zvataibva kuhondo'' (Album Chimurenga Explosion
2000) he responded, ''I had seen it coming that the future looks bleak.''
Almost bulk of his
compositions done from his more than four decades career reflects the current state of Zimbabwe,
politically and economically..
Mapfumo's predictions seemed spot on, the country is being run by a clique
of corrupt, self serving leaders who are
seemingly swathed in the tired mantra of nationalist and liberation rhetoric with
all the promises they made during the war proving to be nothing but dust.
In the same, he warned that we
must be vigilant, songs like ''kukuvarira
mukati'' (suffer in silence) taken from the album Rise Up (2004), Mukanya is a
sarcastic provocation to the masses not to be docile.
As we interacted I noticed his
love for his country, Zimbabwe that has kept him away for long, and his song
''chikonzero ndiyo Zimbabwe yacho'' a 1998 production as if he was predicting
that he was going to leave his country of birth to reside in a foreign land
because of the troubles at home. This
has not been him alone, but millions of Zimbabweans have since fled the country
away from political persecution and the decaying economy.
After listening to his story, of
his arrest by the Rhodesian government, the banning of his songs like
corruption by the Mugabe government, he however refused to be silenced and up
until today his message has never changed. There is no doubt that Mapfumo’s
music has openly challenged an ‘exhausted nationalist’ politics which has
morphed into a hegemonic elite accumulation project for the ruling ‘party-state.’
Talking about the future of
Zimbabwe, believes that the future of
Zimbabwe lies in the youth but only if they are organised to determine the
destiny for Zimbabwe. And as a youth I felt inspired and this was a challenge
for us to decide our destiny.
Although he has been away from
Zimbabwe for almost ten years, he has kept Zimbabwe at the fore of his message
in almost every album he has produced to date.
Suffice to say, as I wrote on
the album sleeve of his latest album DangerZone: ''His powerful, unique and to a certain extent
representative voice speaks to our own realities and to our socio-economic,
cultural, and political dynamics and realities which sets our feet on a life
pastel of continuously self introspecting our ways of life.'
For his music, he has been an
enemy of the government, and the message
in the music remains a source of hope to millions of Zimbabweans in and outside
the country.
As he concluded the South
African tour, he was now looking forward to Mozambique where he was invited by
that country's government to be the main act during the Defence forces
celebrations such a befitting honour.
And this reminded me of the biblical verse "Prophets
are not without honor, except in their hometown, and among their own kin, and
in their own house.'' Indeed, Mapfumo had been vilified by his country, to be
specific, the government which is now being led by 'erstwhile' colleagues during the war of
liberation.
For Mapfumo, the phenomenon described by Simon and Garfunkel in
their 1960s song ''Sounds of Silence'' with the lyrics “People talking without
speaking, people hearing without listening, tells us his story and his music.
Mapfumo, through his
music remains an inspiration to all
Zimbabweans who yearn for a truly democratic state. I am very privileged to
work with this great revolutionary.
Yahwee ndakuona!
nb: No part of this publication may be reproduced without prior permission from the author, should you wish to republish please acknowledge.www.blevava.blogspot.com
nb: No part of this publication may be reproduced without prior permission from the author, should you wish to republish please acknowledge.www.blevava.blogspot.com
Blessing Vava is a blogger who
writes from Chipinge, and the Publicist for Chimurenga Music Company. He can be
contacted on blessingvava@gmail.com